Changes

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* '''System:''' The user must choose between two paths before rolling the dices: sense life or sense death. Then the user must touch the target and make a Wits + Valeren roll (difficulty 2). A win allows the user to sense the nature of the target’s flesh (a corpse is a valid target): living, dead, undead, immortal, ghoulish. It also reveals how many health levels of damage the subject has suffered and the origin of the injuries and impairments. On a win, a critical tells the subject’s hunger level (if a vampire) or how many blood points she has left in her system (if a mortal or other blood-bearing form of life) and moreover. If the user had chosen to sense life, he gains one die to heal the subject (this action may incur one stain when his convictions are more warrior inclined). If the user had chosen to sense death, he gains one die to harm the subject (this action may incur one stain when his convictions are more healer inclined).<br>

'''Auguring the sickness'''<br>

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* '''System:''' First of all, the user must choose between two paths: healer’s touch or burning touch. If the user had chosen healer he must touch the actual injury (or the closest part of the victim’s body, in the case of internal injuries). Each point of superficial damage to be healed requires one rouse check and one turn of contact. Each point of aggravated damage to be healed requires two rouse checks and five minutes of contact. This action incurs one stain when his convictions are more warrior inclined. If the user had chosen burning he must touch his subject for this power to take effect, and the effects diminish rapidly after he removes his hand. The user must make one rouse check to activate this power, and each rouse check reduces the victim’s dice pools by one. This action incurs one stain when his convictions are more healer inclined. This power is often used for interrogation or torture, wearing down the subject’s resistance and rendering him much more tractable. Channelling touch works on any living or undead creature.<br>

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'''WORK IN PROGRESS'''